Alejandro Jodorowsky
Alejandro Jodorowsky
Alejandro Jodorowsky Prullansky is a French and Chilean film and theatre director, screenwriter, playwright, actor, author, poet, producer, composer, musician, comics writer and spiritual guru. Best known for his avant-garde films, he has been "venerated by cult cinema enthusiasts" for his work which "is filled with violently surreal images and a hybrid blend of mysticism and religious provocation"...
NationalityChilean
ProfessionDirector
Date of Birth17 February 1929
CityTocopilla, Chile
CountryChile
The Arabs have a God, the Jews have another, and the Catholics have another! And they're all fighting to maintain that they worship the one real God. Idiots!
I grew up in the north of Chile, and this is why there are a lot of religious symbols in my pictures: because the Catholic Church in Latin America is very strong.
Five cats and a woman. That is all I need in life.
All my life, I have never found a person who really loved this world. Every person hates the world, how he is.
Human society has dense borders - economic, religious and cultural - inculcated from an early age. We hate change.
In history, psychedelic plants were used by priests and shamans with a desire to discover the interior.
I say, 'If somebody steals something of yours, then it's good; he loves what you do.'
My films are like clouds: their meaning keeps changing every minute.
Surrealism - in particular with Salvador Dali - was all about ego. It was all about extreme individualism.
We have to be very conscious of the fact that beneath every illness is a prohibition. A prohibition that comes from a superstition.
Society feeds terror and is in turn terrorized; we are afraid to lose, so we consume.
Life is beautiful, what do you think? In the morning I say, 'Ah, I am alive still!' All my friends die already. I am alive. It is fantastic.
Every person, every artist makes his life an artwork.
Surrealism was necessary - essential, even - in the 1920s to bridge the gap between rationalism and the subconscious. It started something important. But by the early '60s, it had become petit-bourgeois; it was too intellectual and romantic, and had ground to a halt. It had become respectable.