Abbas Kiarostami
Abbas Kiarostami
Abbas Kiarostami; 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, photographer and film producer. An active film-maker from 1970, Kiarostami had been involved in over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy, Close-Up, Taste of Cherry– which was awarded the Palme d'Or at the Cannes Film Festival that year – and The Wind Will Carry Us. In his later works, Certified Copyand Like Someone in Love, he...
NationalityIranian
ProfessionDirector
Date of Birth22 June 1940
The digital camera has given me total freedom and a different way of filming.
It seems that film-makers are being divided between those working in digital and those who are not. I think it's not something predetermined - it all depends on what project we have in mind, and on that basis we choose the medium.
If we're not going to take full advantage of digital, then 35mm is a better medium. Especially for shooting dramas - I have no problem with 35mm.
I think that if you're a digital thinker, you can use a digital camera.
It's not so much a question of whether we've shot it through 35mm or digital video; what is important is whether the audience accepts it as real.
To me, AIDS is an international epidemic and every country can be affected by it. Therefore, it can be discussed on an international level. Unfortunately, AIDS doesn't require a visa.
Digital photography is, by definition, unfinished. You don't feel that after every 24 or 36 shots you have to change your film - you know you can go on for ever if you want. You can see the result immediately, and find out if your original idea is worth going on with or not, whether it can be corrected, whether it can be improved.
I film normal-life subjects in natural settings that some people would consider uncinematic. But what I want to show is nature itself, as the truth of life.
A good movie is made by an initial burst of energy, the way that, when you are in school, your class exercises are always better than your final projects.
I would say that no film is apolitical. There are politics in all films. Any film that is anchored in a society, any film that deals with humanity is necessarily political.
Good cinema is what we can believe, and bad cinema is what we can't believe.
The world is my workshop. It is not my home.
I feel like a tree. A tree doesn't feel a duty to start doing something about the earth from which it comes. A tree just has to bear fruit, and leaves and blossoms. It doesn't feel grateful to the earth.
The calling of art is to extract us from our daily reality, to bring us to a hidden truth that's difficult to access - to a level that's not material but spiritual.