Abbas Kiarostami
Abbas Kiarostami
Abbas Kiarostami; 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, photographer and film producer. An active film-maker from 1970, Kiarostami had been involved in over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy, Close-Up, Taste of Cherry– which was awarded the Palme d'Or at the Cannes Film Festival that year – and The Wind Will Carry Us. In his later works, Certified Copyand Like Someone in Love, he...
NationalityIranian
ProfessionDirector
Date of Birth22 June 1940
children order actors
In order to be able to cooperate with a child, you have to come down to below their level in order to communicate with them. Actors are also like children.
children japan way
When I met Akira Kurosawa in Japan, one question he asked me was, "How did you actually make the children act the way they do? I do have children in my films but I find that I reduce and reduce their presence until I have to get rid of them because there's no way that I can direct them."
dream children school
I had intended to make another film, called Pocket Money, which was to be about children at a school.I was very much intrigued by the story [of Close Up] - it came into my dreams and I was very much influenced by it. So I called my producer and asked that we put aside Pocket Money and start something else, and he agreed.
strong children character
Children are very strong and independent characters and can come up with more interesting things than Marlon Brando, and it's sometimes very difficult to direct or order them to do something.
act mind people
Usually when I write a script, I have in mind some real people that I'm writing about, who don't always act in the film afterward.
anxious deeply films incredibly wonder
Usually when I take my films to festivals, I feel incredibly anxious about them. I wonder how it will be received, how the audience will react. I feel deeply responsible for them.
From my very first movie, what was my concentration, my inspiration, was I didn't want to narrate something, I didn't want to tell a story. I wanted to show something, I wanted for them to make their own story from what they were seeing.
fortunate national whether
I don't know whether it is fortunate or unfortunate, but I have no such thing as national pride. I don't feel proud that I am Iranian. I happen to be who I am.
depending grasp grasped poetry runs time whereas
Poetry always runs away from you - it's very difficult to grasp it, and every time you read it, depending on your conditions, you will have a different grasp of it. Whereas with a novel, once you have read it, you have grasped it.
audience bed bring face films happen hollywood member movies particular provide single
Some movies bring out the creativity in you. Every single audience member can become creative in the face of a particular movie. If you happen to like my films, it's because my films provide a bed for you on which you can find your creativity. The Hollywood movies do not provide that for you.
affected country discussed epidemic
To me, AIDS is an international epidemic and every country can be affected by it. Therefore, it can be discussed on an international level. Unfortunately, AIDS doesn't require a visa.
change original result shots whether
Digital photography is, by definition, unfinished. You don't feel that after every 24 or 36 shots you have to change your film - you know you can go on for ever if you want. You can see the result immediately, and find out if your original idea is worth going on with or not, whether it can be corrected, whether it can be improved.
consider life natural nature people settings subjects truth
I film normal-life subjects in natural settings that some people would consider uncinematic. But what I want to show is nature itself, as the truth of life.
burst exercises final good initial
A good movie is made by an initial burst of energy, the way that, when you are in school, your class exercises are always better than your final projects.