Quotes about american-photographer
american-photographer
Don't put my name on it. These are simply documents I make. Man Ray
american-photographer fact groups high point serving type unusually whenever women
Owing to the fact that leaders in the women's groups made a point of serving on the jury here whenever they were called, we have always had an unusually high type of women represented on the jury. Florence Ellinwood Allen
american-photographer carried dramatic fact money movement totally women won worth
The fact that the movement was carried on by women who, for the most part, had no money of their own and were totally inexperienced in organization, and that they won their fight in about two generations, makes a story often dramatic and always worth preserving.
american-photographer jokes tells traveling
Times change. The farmer's daughter now tells jokes about the traveling salesman.
american-photographer houses lives subject terms
The subject must be thought of in terms of the 20th century, of houses he lives in and places he works, in terms of the kind of light the windows in these places let through and by which we see him every day. Arnold Newman
american-photographer people
It is more important to click with people than to click the shutter. Alfred Eisenstaedt
american-photographer
I am a gambler. I decided to go in with Company E in the first wave. Robert Capa
american-photographer arrested became fearful japan kept paul stuff
When Paul was arrested in Japan for having hash in his luggage, I thought he'd be out that night. But it became really serious stuff when he was kept in a cell. I became more fearful as the days went by. Linda McCartney
american-photographer both came children families people
We both came from families in which parents got married, had children and the whole thing. So we were not the kind of people to live together permanently.
american-photographer anyone lived lives married wood
When I married Paul, we lived in St John's Wood in London. We had nice next-door neighbours, but you don't know anyone else. Everyone lives in isolation.
american-photographer liked nights paul spend time
We spend so much time together, because that's how we like it. I never used to go on girl's nights out, even at school. And Paul has never liked going out for a night with the boys, either.
american-photographer close lasted
We have lasted this long close together, so we must have something going for each other.
american-photographer hemingway man married paul
I wasn't looking for another marriage. I had been married before. He is a nice man - a geologist, an Ernest Hemingway type. But Paul and I married because of convention.
american-photographer life
I would like them all to enjoy life and try different things until there is something they really like.
american-photographer courage join paul persuaded playing
Paul persuaded me to join the band. I would never have had the courage otherwise. It was fun at the beginning. We were playing just for fun, with Paul's group.
american-photographer
If slaughterhouses had glass walls the whole world would be vegetarian.
american-photographer
When you start out, you're not really aware. I didn't have a sense of photographic history. Herb Ritts
american-photographer elements felt foreign halfway home matter
That's why I felt so at home when I went to Africa. It didn't matter that I was halfway around the world in a foreign country, because all those elements are universal. And I think that's one thing about my work: It's universal.
american-photographer constant filtering home information itself mothers
But the constant filtering into the home of information about government, through mothers now as well as fathers, is making itself felt.
american-photographer committed deeply environmental nature
These days, most nature photographers are deeply committed to the environmental message. Galen Rowell
american-photographer concept instantly
There's no question that photographs communicate more instantly and powerfully than words do, but if you want to communicate a complex concept clearly, you need words, too.
american-photographer days distance feeling molecules natural rather
I'm exchanging molecules every 30 days with the natural world and in a spiritual sense I know I am a part of it and take my photographs from that emotional feeling within me, rather than from an emotional distance as a spectator.
american-photographer equal fighting forever limit minus side vision
If we limit our vision to the real world, we will forever be fighting on the minus side of things, working only too make our photographs equal to what we see out there, but no better.
american-photographer believe cognitive constructs directly imagery represent scientists system view visual
I think that cognitive scientists would support the view that our visual system does not directly represent what is out there in the world and that our brain constructs a lot of the imagery that we believe we are seeing.
american-photographer began climbed explored people taking yosemite
I began taking pictures in the natural world to be able to show people what I was experiencing when I climbed and explored in Yosemite in the High Sierra.
american-photographer best emotion personal photograph visions
I like to feel that all my best photographs had strong personal visions and that a photograph that doesn't have a personal vision or doesn't communicate emotion fails.
american-photographer human resonates viewing
When we tune in to an especially human way of viewing the landscape powerfully, it resonates with an audience.
american-photographer mine particular people photograph speaks strongly whenever
Luckily, many other people tell me how they have had a particular landscape photograph of mine in their office or bedroom for 15 years and it always speaks to them strongly whenever they see it.
american-photographer fates messages places reason wild
The reason that I keep writing is that all my most powerful messages about the fates of wild places that I care about need to have words as well as images.
american-photographer began human realise sees
I began to realise that film sees the world differently than the human eye, and that sometimes those differences can make a photograph more powerful than what you actually observed.
american-photographer dozen editor editors geographic john landscape looked national pictures promised run trail
I remember when an editor at the National Geographic promised to run about a dozen of my landscape pictures from a story on the John Muir trail as an essay, but when the group of editors got together, someone said that my pictures looked like postcards.
american-photographer climb kept runs using wanting
Wanting to take a light camera with me when I climb or do mountain runs has kept me using exclusively 35 mm.
american-photographer
My favourite thing is to go where I've never been. Diane Arbus