Related Quotes
art drama blood
The cinema is little more than a fad. It's canned drama. What audiences really want to see is flesh and blood on the stage. Charlie Chaplin
art silence world
Sound has spoiled the most ancient of the world's arts, the art of pantomime, and has canceled out the great beauty that is silence. Charlie Chaplin
art money truth
I went into the business for the money, and the art grew out of it. If people are disillusioned by that remark, I can't help it. It's the truth. Charlie Chaplin
art book facts
There are more valid facts and details in works of art than there are in history books. Charlie Chaplin
art reality acting
Politics, when it is an art and a service, not an exploitation, is about acting for an ideal through realities. Charles de Gaulle
art teaching use
You don't have to be Michelangelo to teach basic art, just as you don't have to be Shakespeare to be able to teach the correct use of language. Charles de Lint
art people tongue
It reminded me of that tongue-in-cheek quick history of art I'd overheard...Used to be people couldn't draw very well, then they could, and now they can't again. Charles de Lint
art ideas air
From the first time he’d met her, he’d sensed an air of contradiction about her. She was very much a woman, but still retained a waiflike quality. She could be brash, and at times deliberately suggestive, yet she was painfully shy. She was incredibly easy to get along with, yet she had few friends. She was a talented artist in her own right, but so self-conscious about her work that she rarely completed a piece and preferred to work with other people’s art and ideas... Charles de Lint
art eye thinking
People want to know those details. They think it gives them greater insight into a piece of art, but when they approach a painting in such a manner, they are belittling both the artist’s work and their own ability to experience it. Each painting I do says everything I want to say on its subject and in terms of that painting, and not all the trivia in the world concerning my private life will give the viewer more insight into it than what hangs there before their eyes. Frankly, as far as I’m concerned, even titling a work is an unnecessary concession. Charles de Lint
writing perfect limelight
Time is the best author. It always writes the perfect ending. Charlie Chaplin
writing dinner feels
Unless I write every day, I don't feel I deserve my dinner. Charlie Chaplin
writing use different
Writing music uses a whole different process that involves a lot of noodling and just seeing what comes. Charles de Lint
writing play careers
I never even considered writing a career option. I just liked the play of words. I was certainly interested in story, but the stories I was telling then were in narrative verse and prose poems, short and succinct, except for one novel-length poem written in narrative couplets. Charles de Lint
writing paper remember
The thing to remember when you're writing is, it's not whether or not what you put on paper is true. It's whether it wakes a truth in your reader. Charles de Lint
writing might-use giving
The thing to remember when you're writing," he said, " is, it's not whether or not what you put on paper is true. It's whether it wakes a truth in your reader. I don't care what literary device you might use, or belief systems you tap into--if you can make a story true for the reader, if you can give them a glimpse into another way of seeing the world, or another way that they can cope with their problems, then that story is a succes. Charles de Lint
writing character knows
I find the characters in my head and the more I write about them, the better I get to know them. Charles de Lint
writing each-day next
The excitement I get from writing is finding out each day what happens next. Charles de Lint
writing world curtains
I always feel that there is a curtain, you know, that if I could just peek behind the curtain I'd see how the world really works. And since I haven't had it I have to write about it instead. Charles de Lint
editors pages today
The best young writers are convinced they need blurbs from famous writers before an editor will even read the first page of a manuscript. If this is true, then the editorial system that prevails today stinks. And let's start reforming it. Diane Wakoski
editors chaos theory
As an experienced editor, I disapprove of flashbacks, foreshadowings, and tricksy devices; they belong in the 1980s with M.A.s in postmodernism and chaos theory. David Mitchell
editors two scott-fitzgerald
If you look at any list of great modern writers such as Ernest Hemingway, William Faulkner, and F. Scott Fitzgerald, you'll notice two things about them: 1. They all had editors. 2. They are all dead. Thus we can draw the scientific conclusion that editors are fatal. Dave Barry
editors trying magazines
Editors of conservative magazines aren't out trying to raise money. The money is there; the cash reserves are in the bank. David Brock
editors understanding different
I'm sure I cause just as much consternation for editors as any other actor, but it definitely makes me feel more comfortable understanding how and why all the different camera setups exist. Ed Helms
editors newspapers show-me
Show me a contented newspaper editor and I will show you a bad newspaper. Arthur Christiansen
editors cost definitions
I love my editor, but that would be the definition of hell to me to live with someone and have them go page by page through my manuscript. That I want to avoid at all costs. Dean Koontz
editors agents letters
I wrote a query letter to an editor - a friend of a friend. The editor called me an idiot, told me never to contact an editor directly, and then recommended three literary agents he had worked with before. Laurie Fox was one of them, and I've never looked back. Daniel H. Wilson
editors two people
There are just two people entitled to refer to themselves as "we"; one is the editor and the other is the fellow with a tapeworm. Bill Nye