Related Quotes
writing hair fire
Prowling about the rooms, sitting down, getting up, stirring the fire, looking out the window, teasing my hair, sitting down to write, writing nothing, writing something and tearing it up... Charles Dickens
writing numbers gold
Genius, in one respect, is like gold; numbers of persons are constantly writing about both, who have neither. Charles Caleb Colton
writing language nonsense
It is curious that some learned dunces, because they can write nonsense in languages that are dead, should despise those that talk sense in languages that are living. Charles Caleb Colton
writing men profound
He that knows himself, knows others; and he that is ignorant of himself, could not write a very profound lecture on other men's heads. Charles Caleb Colton
writing faces privacy
The society of dead authors has this advantage over that of the living: they never flatter us to our faces, nor slander us behind our backs, nor intrude upon our privacy, nor quit their shelves until we take them down. Charles Caleb Colton
writing men three
There are three difficulties in authorship: to write anything worth publishing, to find honest men to publish it, and to find sensible men to read it. Charles Caleb Colton
writing should-have fire
We should have a glorious conflagration, if all who cannot put fire into their works would only consent to put their works into the fire. Charles Caleb Colton
writing self hints
The awkwardness and embarrassment which all feel on beginning to write, when they themselves are the theme, ought to serve as a hint to author's that self is a subject they ought very rarely to descant upon. Charles Caleb Colton
writing two style
When I meet with any persons who write obscurely or converse confusedly, I am apt to suspect two things; first, that such persons do not understand themselves; and secondly, that they are not worthy of being understood by others. Charles Caleb Colton
editors chaos theory
As an experienced editor, I disapprove of flashbacks, foreshadowings, and tricksy devices; they belong in the 1980s with M.A.s in postmodernism and chaos theory. David Mitchell
editors two scott-fitzgerald
If you look at any list of great modern writers such as Ernest Hemingway, William Faulkner, and F. Scott Fitzgerald, you'll notice two things about them: 1. They all had editors. 2. They are all dead. Thus we can draw the scientific conclusion that editors are fatal. Dave Barry
editors names given
Deep Throat was a very unfortunate name given to the source by the managing editor of The Washington Post. Bob Woodward
editors stories would-be
It would be absurd for me or any other editor to review the authenticity or accuracy of stories that are nominated for prizes. Bob Woodward
editors trying magazines
Editors of conservative magazines aren't out trying to raise money. The money is there; the cash reserves are in the bank. David Brock
editors understanding different
I'm sure I cause just as much consternation for editors as any other actor, but it definitely makes me feel more comfortable understanding how and why all the different camera setups exist. Ed Helms
editors two people
There are just two people entitled to refer to themselves as "we"; one is the editor and the other is the fellow with a tapeworm. Bill Nye
editors denver pot
The Denver Post has actually hired an editor to promote pot. Bill O'Reilly
editors worry goal
Very few editors worry about heresy - their goals are much too commercial, thank goodness. Chelsea Quinn Yarbro
editing solitude directors
A lot of directors prefer the solitude of the editing process, but I revel in the craziness of what a film set is. Alan Parker
editing somewhere-else actors
In the editing room, 20 percent of the time you're using stuff from before the actor knew the camera was rolling or you're taking a line from somewhere else and putting it in his mouth. Campbell Scott
editing important comedy
Editing and post-production is so important with comedy. Eddie Kaye Thomas
editing two trying
I try and shoot as often as a can, I cross shoot. I have at least two cameras rolling at the same time. So I'll have two actors or two sets of actors at a time so everybody's basically on camera. So when they improvise we have everybody's coverage. And you can then go in the editing room and find the energy still stays there. Denis Leary
editing casting stuff
I spend a lot of time in preproduction working with authors, and a lot of time in postproduction.: editing, music, all that sort of stuff. Casting. On the set there's not a lot for me to do. Charlie Kaufman
editing waiting done
And then to see the whole movie, you're pretty much waiting until the end of production. And the major lifting in terms of editing and all that stuff is done before you shoot the movie. That's an unusual way to work. Charlie Kaufman
editing done shooting
When you're done shooting, the movie that you're going to release when you're done shooting is as bad as it will ever be. And then through editing, and finishing the effects and adding music, you get to make the movie better again. So I'm really hard on myself and on the movie. Barry Sonnenfeld
editing hate sitting
I hate sitting around and waiting; that's why I always have an editing suite on set. Til Schweiger
editing earth film
Editing is now the easiest thing on earth to do, and all the things that evolved out of word processing - 'Oh, let's put that sentence there, let's get rid of this' - have become commonplace in films and music too. Brian Eno