Related Quotes
writing dust skeletons
What is important is the story. Because when we are all dust and teeth and kicked-up bits of skin - when we're dancing with our own skeletons - our words might be all that's left of us. Alexandra Fuller
writing giving people
We need to give out portrayal of ourselves. Every non-Indian writer writes about 1860 to 1890 pretty much, and there is no non-Indian writer that can write movies about contemporary Indians. Only Indians can. Indians are usually romanticized. Non-Indians are totally irrepsonsible with the appropriation of Indians, because any time tou have an Indian in a movie, it's political. They're not used as people, they're used as points. Chris Eyre
writing dust damnation
There is dust enough on some of your Bibles to write 'damnation' with your fingers. Charles Spurgeon
writing tears pockets
A word is not the same with one writer as with another. One tears it from his guts. The other pulls it out of his overcoat pocket. Charles Peguy
writing eight ideas
Oh, I had an idea for a pilot of my own at the time, and then Carl sent me about eight scripts and simply I threw my idea out the window because the writing was just so good. Dick Van Dyke
writing sometimes enough
Sometimes you can write a great scene, but when you're actually in a situation and it doesn't work, you have to be flexible enough to make it work for you. Diane Kruger
writing analysis fiction
There's no end to the inventiveness of critics, I tell you. Because they can't write fiction, they put their impulse into their analysis of work. Dennis Potter
writing speech metaphor
The strangest thing that human speech and human writing can do is create a metaphor. That is an amazing leap, is it not? Dennis Potter
writing use young
You just don't know writers. They'll use anything, anybody. They'll eat their young. Dennis Potter
want today rest-of-your-life
I woke up on May 15, 1991, the day of my Barnard graduation, and I said to myself, 'By the end of today you will decide what you want to do with the rest of your life.' Alexandra Guarnaschelli
wants
No one wants to be the kid who allies with the weird kid. Kristin Cast
want
I am life which wants to live admidst of lives that want to live. Albert Schweitzer
want midst
I am life that wants to live, in the midst of life that wants to live. Albert Schweitzer
wants
(Monroe) wants to be coached. He wants to be very good. Al Groh
wants
No one wants to be the one, as they put it, to unilaterally disarm. Peter Enrich
want young live-fast
I want to live fast and die young. Chris Farley
want youth settling
I am just enjoying my youth but I want to settle down eventually. Chris Evans
want
I weep at everything. I love things so much - I just never want to dilute that. Chris Evans
fiction people science scientists tells time virtually visible
My feeling is that science is virtually an unexplored ground. It's very visible - more so all the time - but there's no fiction that tells us how scientists think, and they really don't think the way that other people do. Gregory Benford
fictional remains
More than 100 years after he first appeared, Holmes remains the template for the fictional detective. Mark Billingham
fiction easy tales
How easy it is to tell tales! Denis Diderot
fiction hub
That is partly why women marry - to keep up the fiction of being in the hub of things. Elizabeth Bowen
fiction stories knows
[My early stories] are the work of a living writer whom I know in a sense, but can never meet. Elizabeth Bowen
fiction autobiography bounds
... any fictionis bound to be transposed autobiography. Elizabeth Bowen
fiction hard tendency weakness
I have a tendency to embellish: I think it's a weakness of fiction writers. Once you know how to make a story better, it's hard not to do it all the time. Sarah Dessen
fiction humor low pitch relief short throws trying
Short fiction is like low relief. And if your story has no humor in it, then you're trying to look at something in the pitch dark. With the light of humor, it throws what you're writing into relief so that you can actually see it. Elizabeth McCracken
fiction fondness hard historical mind science wondrous
I have a fondness for historical fiction, something wondrous like 'Wolf Hall,' but I'll read most anything as long as the story grabs my mind or my heart, and preferably both. You would be hard pressed, however, to find science fiction on my shelves. Sue Monk Kidd