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notebook running writing
I write on a computer, but I've run the complete gambit. When I was very young, I wrote with a ballpoint pen in school notebooks. Then I got pretentious and started writing with a dip pen on parchment (I wrote at least a novel-length poem that way). Moved on to a fountain pen. Then a typewriter, then an electric self-correct. Then someone gave me a word processor and I was amazed at being able to fit ten pages on one of those floppy discs. Charles de Lint
notebook growing-up artist
Growing up, I'd already decided I wanted to be a beatnik. A Bohemian poet, I thought. Or a musician. Maybe an artist. I'd dress in black turtlenecks and smoke Gitanes. I'd listen to cool jazz in clubs, getting up to read devastating truths from my notebook, leaning against the microphone, cigarette dangling from my hand. Charles de Lint
notebook real character
As the new work fills my notebooks, I've come to realize that the characters in my stories were so real because I really did want to get close to people, I really did want to know them. It was just easier to do it on paper, one step removed. Charles de Lint
notebook prayer heart
When I am praying the most eloquently, I am getting the least accomplished in my prayer life. But when I stop getting eloquent and give God less theology and shut up and just gaze upward and wait for God to speak to my heart He speaks with such power that I have to grab a pencil and a notebook and take notes on what God is saying to my heart. Aiden Wilson Tozer
notebook motivation powerful
Goddard represented a unique combination of visionary dedication and technological brilliance. He studied physics because he needed physics to get to Mars. In reading the notebooks of Robert Goddard, I am struck by how powerful his exploratory and scientific motivations were - and how influental speculative ideas, even erroneous ones, can be on the shaping of the future. Carl Sagan
notebook pages way
Looking at and shaping your own work is a very intuitive process. You see something you've written in your notebook. It's there on the page and either feels right or it doesn't, and it's hard sometimes to go beyond that and discover why it feels that way. Chad Harbach
notebook running block
Writing on a computer feels like a recipe for writer's block. I can type so fast that I run out of thoughts, and then I sit there and look at the words on the screen, and move them around, and never get anywhere. Whereas in a notebook I just keep plodding along, slowly, accumulating sentences, sometimes even surprising myself. Chad Harbach
notebook writing design
Carry a notebook and write down examples of good and poor design. After a week, you'll begin to realize that nearly everything is the product of a design decision. Daniel H. Pink
notebook writing past
Young writers should read books past bedtime and write things down in notebooks when they are supposed to be doing something else. Daniel Handler
eye men sight
When there exists anywhere a state of suffering, a wrong, a condition of affairs that men of feeling deplore and that troubles the conscience of the upright, to become resigned to it is wicked. Although the evil flaunts itself before our eyes, and no remedy is in sight, we must go and seek a remedy. In the creation of the God of Justice, evil can be but a transitory state. Charles Wagner
eye rainbow promise
The rainbow bursts like magic on mine eyes! In hues of ancient promise there imprest... Charles Tennyson Turner
eye mirrors people
The best change you can make is to hold up a mirror so that people can look into it and change themselves. That's the only way a person can be changed." By looking into yourself," Zia said. "Even if you have to look into a mirror that's outside yourself to do it." "And you know," Maida added. "That mirror can be a story you hear, or just someone else's eyes. Anything that reflects back so you can see yourself in it. Charles de Lint
eye ems may
Rich folks may ride on camels, but it ain't so easy for 'em to see out of a needle's eye. Charles Dickens
eye dark fog
It was a foggy day in London, and the fog was heavy and dark. Animate London, with smarting eyes and irritated lungs, was blinking, wheezing, and choking; inanimate London was a sooty spectre, divided in purpose between being visible and invisible, and so being wholly neither. Charles Dickens
eye exercise cry
It opens the lungs, washes the countenance, exercises the eyes, and softens down the temper; so cry away. Charles Dickens
eye home dark
Bleak, dark, and piercing cold, it was a night for the well-housed and fed to draw round the bright fire, and thank God they were at home; and for the homeless starving wretch to lay him down and die. Many hunger-worn outcasts close their eyes in our bare streets at such times, who, let their crimes have been what they may, can hardly open them in a more bitter world. Charles Dickens
eye numbers envy
As the rays of the sun, notwithstanding their velocity, injure not the eye, by reason of their minuteness, so the attacks of envy, notwithstanding their number, ought not to wound our virtue by reason of their insignificance. Charles Caleb Colton
eye sight sore-eyes
the sight of me is good for sore eyes Charles Dickens
literature civility
The civility which money will purchase, is rarely extended to those who have none. Charles Dickens
literature potatoes poultry
Papa, potatoes, poultry, prunes and prism, are all very good words for the lips. Charles Dickens
literature made should
I made a compact with myself that in my person literature should stand by itself, of itself, and for itself. Charles Dickens
literature stealing plagiarism
If we steal thoughts from the moderns, it will be cried down as plagiarism; if from the ancients, it will be cried up as erudition. Charles Caleb Colton
literature prudence
There is nothing more imprudent than excessive prudence. Charles Caleb Colton
literature fool religious-bigotry
Bigotry murders religion to frighten fools with her ghost. Charles Caleb Colton
literature speech giants
The Grecian’s maxim would indeed be a sweeping clause in Literature; it would reduce many a giant to a pygmy; many a speech to a sentence; and many a folio to a primer. Charles Caleb Colton
literature action conflict
Those that are the loudest in their threats are the weakest in their actions. Charles Caleb Colton
literature
We are so very 'umble. Charles Dickens