Related Quotes
real giving gold
It is doubtful whether mankind are most indebted to those who like Bacon and Butler dig the gold from the mine of literature, or to those who, like Paley, purify it, stamp it, fix its real value, and give it currency and utility Charles Caleb Colton
real passion deceit
As that gallant can best affect a pretended passion for one woman who has no true love for another, so he that has no real esteem for any of the virtues can best assume the appearance of them all. Charles Caleb Colton
real deceit our-actions
The true motives of our actions, like the real pipes of an organ, are usually concealed; but the gilded and hollow pretext is pompously placed in the front for show. Charles Caleb Colton
real evil lasts
There is this of good in real evils; they deliver us, while they last, from the petty despotism of all that were imaginary. Charles Caleb Colton
real honest strategy
Be real and adjust you strategy according to honest results. Charles Caleb Colton
reality drawing views
Falsehood, like a drawing in perspective, will not bear to be examined in every point of view, because it is a good imitation of truth, as a perspective is of the reality, only in one. But truth, like that reality of which the perspective is the representation, will bear to be scrutinized in all points of view, and though examined under every situation, is one and the same. Charles Caleb Colton
real character mean
Duke Chartres used to boast that no man could have less real value for character than himself, yet he would gladly give twenty thousand pounds for a good one, because he could immediately make double that sum by means of it. Charles Caleb Colton
real atmosphere gold
To be continually subject to the breath of slander, will tarnish the purest virtue, as a constant exposure to the atmosphere will obscure the brightness of the finest gold; but in either case, the real value of both continues the same, although the currency may be somewhat impeded. Charles Caleb Colton
real home thinking
We are ruined, not by what we really want, but by what we think we do; therefore never go abroad in search of your wants; if they be real wants, they will come home in search of you; for he that buys what he does not want, will soon want what he cannot buy. Charles Caleb Colton
writing hair fire
Prowling about the rooms, sitting down, getting up, stirring the fire, looking out the window, teasing my hair, sitting down to write, writing nothing, writing something and tearing it up... Charles Dickens
writing numbers gold
Genius, in one respect, is like gold; numbers of persons are constantly writing about both, who have neither. Charles Caleb Colton
writing language nonsense
It is curious that some learned dunces, because they can write nonsense in languages that are dead, should despise those that talk sense in languages that are living. Charles Caleb Colton
writing men profound
He that knows himself, knows others; and he that is ignorant of himself, could not write a very profound lecture on other men's heads. Charles Caleb Colton
writing faces privacy
The society of dead authors has this advantage over that of the living: they never flatter us to our faces, nor slander us behind our backs, nor intrude upon our privacy, nor quit their shelves until we take them down. Charles Caleb Colton
writing men three
There are three difficulties in authorship: to write anything worth publishing, to find honest men to publish it, and to find sensible men to read it. Charles Caleb Colton
writing should-have fire
We should have a glorious conflagration, if all who cannot put fire into their works would only consent to put their works into the fire. Charles Caleb Colton
writing self hints
The awkwardness and embarrassment which all feel on beginning to write, when they themselves are the theme, ought to serve as a hint to author's that self is a subject they ought very rarely to descant upon. Charles Caleb Colton
writing two style
When I meet with any persons who write obscurely or converse confusedly, I am apt to suspect two things; first, that such persons do not understand themselves; and secondly, that they are not worthy of being understood by others. Charles Caleb Colton
editing solitude directors
A lot of directors prefer the solitude of the editing process, but I revel in the craziness of what a film set is. Alan Parker
editing somewhere-else actors
In the editing room, 20 percent of the time you're using stuff from before the actor knew the camera was rolling or you're taking a line from somewhere else and putting it in his mouth. Campbell Scott
editing important comedy
Editing and post-production is so important with comedy. Eddie Kaye Thomas
editing two trying
I try and shoot as often as a can, I cross shoot. I have at least two cameras rolling at the same time. So I'll have two actors or two sets of actors at a time so everybody's basically on camera. So when they improvise we have everybody's coverage. And you can then go in the editing room and find the energy still stays there. Denis Leary
editing casting stuff
I spend a lot of time in preproduction working with authors, and a lot of time in postproduction.: editing, music, all that sort of stuff. Casting. On the set there's not a lot for me to do. Charlie Kaufman
editing waiting done
And then to see the whole movie, you're pretty much waiting until the end of production. And the major lifting in terms of editing and all that stuff is done before you shoot the movie. That's an unusual way to work. Charlie Kaufman
editing done shooting
When you're done shooting, the movie that you're going to release when you're done shooting is as bad as it will ever be. And then through editing, and finishing the effects and adding music, you get to make the movie better again. So I'm really hard on myself and on the movie. Barry Sonnenfeld
editing hate sitting
I hate sitting around and waiting; that's why I always have an editing suite on set. Til Schweiger
editing earth film
Editing is now the easiest thing on earth to do, and all the things that evolved out of word processing - 'Oh, let's put that sentence there, let's get rid of this' - have become commonplace in films and music too. Brian Eno