Related Quotes
character ideas clothes
I had no idea of the character. But the moment I was dressed, the clothes and the make-up made me feel the person he was. I began to know him, and by the time I walked onto the stage he was fully born. Charlie Chaplin
character tramps figures
My character of the Tramp, the millions of workers symbolized in that one figure. Charlie Chaplin
character men law
By the Law of Slavery, man, created in the image of God, is divested of the human character, and declared to be a mere chattel. Charles Sumner
character men realizing
Difficulty attracts the man of character because it is in embracing it that he realizes himself Charles de Gaulle
character adversity responsibility
Adversity attracts the man of character. He seeks out the bitter joy of responsibility. Charles de Gaulle
character hard-times virtue
Character is the virtue of hard times. Charles de Gaulle
character normal dysfunctional-family
Well, while I didn't have the more extreme experiences of some of my characters, I didn't exactly come from the most normal of households. Or rather, it was normal, in that dysfunctional families appear to be the norm. Charles de Lint
character attention elements
When one of my characters becomes aware of a magical element, it might be because the world is wider than we assume it to be, but it might also be a reminder to pay attention to what is here already, hidden only because it's been forgotten. Charles de Lint
character interesting grind
The cramped monotony of my existence grinds me away by the grain. Charles Dickens
way comedy desperate
In this desperate way, I started many a comedy. Charlie Chaplin
way opponents hardest
Always choose the hardest way, on it you will not find opponents Charles de Gaulle
way too-much odd
There was too much going on here -- too much that strayed from odd all the way over into seriously weird. Charles de Lint
way
Everything is the way it is because we've all agreed that's the way it is. Charles de Lint
way sometimes bigger
It's not all about getting your own way. Sometimes there's a bigger picture. Charles de Lint
way-in-life expectations romance
There have been occasions in my later life (I suppose as in most lives) when I have felt for a time as if a thick curtain had fallen on all its interest and romance, to shut me out from anything save dull endurance any more. Never has that curtain dropped so heavy and blank, as when my way in life lay stretched out straight before me through the newly-entered road of apprenticeship to Joe. Charles Dickens
way littles common
We went our several ways," said Lady Dedlock, "and had little in common even before we agreed to differ. It is to be regretted, I suppose, but it could not be helped. Charles Dickens
way liberation discovering
Zen is a way of liberation, concerned not with discovering what is good or bad or advantageous, but what is. Alan Watts
way reverse
You see, there's the way things seemed and then there's the way things were and one is so often the total reverse of the other. Alan Moore
film certain made
Market forces impose certain rules before a film can actually get made. Alan Rickman
film made love-films
I love films that are made with almost no budget. Alan Moore
film embarrassment
My films are about embarrassment. Alan Bennett
film driven made
I am never driven. Every film Ive made has been an assignment. Alain Resnais
film reason reactions
For me an unfavorable initial reaction happens fairly often. For some reason the more time that elapses after the film opens, the more favorable the reviews become. Alain Resnais
film appeals relatability
The great appeal of film is its relatability. Akira Kurosawa
film-directing common problem
Human beings share the same common problems. A film can only be understood if it depicts these properly. Akira Kurosawa
films marx stuff understanding westerns
When I was a little kid, my parents would show me Marx Brothers' films and westerns and stuff like that. That's where all my desire to be an actor comes from and probably most of my understanding of acting comes from for sure. Alden Ehrenreich
film enormous clams
Once you work with a studio on a film, the studio is sort of like this enormous clam that just opens, takes everything and then closes, and no one enters again. They own it all. Don Bluth